Monday, February 8, 2010

The Summer of Dreams

I hear a sudden shatter as I awake.

My family’s portrait had fallen on the floor in my sleep.

My window opens, reveling the summer.

What nightmare had I lived in my slumber?

Pain of love, the joy in hate, how can I contemplate?

I couldn’t stand those feelings,

those horrible thoughts.

I sit at my window

to look upon the beach. This is a wonderful place.

I am saved from the heat by a cool breeze on my face.


I close my eyes to feel the rush of the wind.

But my dreams come back,

but just for a second.

The cries of the hungry, the rage of the hating;

A war and fear they are all twirling.

I hear a fearful voice crying over machines and beeps.

“Wake up! Oh please wake! Please come back to me!”

Louder and louder I kept trying to open my eyes

To come back to reality and look at the summer sky


I heard a shatter and I was able to open my eyes

My best friend’s portrait had fallen from my Arms.

I looked back out to the beach

a single seagull above

so calm

so peaceful.

I stare across the white sand onto the sea.

I set my eyes on the sea unmoving,

undisturbed.

I felt like I stared out for almost all of time.

I hear the light waves on the shore

and I am without pain.

I felt free


yet I knew nervously something was wrong.

I felt tired all the sudden

but afraid to close my eyes.

I went to the bed to rest awhile but not allow myself to dream.

I thought I heard others crying as I looked upon the sky.

Then everything went black

all numb

as I started to fly.

Thursday, February 4, 2010

Snake Portrait

Arkansas summer, honeysuckle, hummingbirds, brush off the dirt.

Heat beats, water rush, snakes slink, lizards strategically retreat.

Lack of shiver, lack of care, spending all day in the sun of Arkansas.

Grandparent’s house, grandfather’s beer, grandmother’s red hair.


Scorpion, black widow, tarantula, brown recluse

up the walls, under the sink, in my parents bed, on the couch.

Western Diamondback Rattlesnake, hidden copperhead.

Rattle, violin [Learn], hour glass, red on yellow [Learn]


Water Moccasin; black as space, she is face to face with me.

Her darkness runs across the surface of the creek, fast like hot lead through skin.

Water Moccasin; magnificent artist of motion, she is face to face with him,

Grandpa and his Ithaca double-barreled shotgun and it shattering the wind.


Sisters, they panic at the scorpions in the dresser drawer, their black stillness.

Mother, she fears the copperhead in the path, she hates it’s deceitful kin.

Father, he respects his own servitude to the brown recluse.

Grandfather, he fears for me, for being incautious, for being young.


I fear a loss of the trees, the creek, A Change. I fear not what they bring.

I cry at the moccasin’s blood in the creek, I’m naïve.

I laugh at everyone’s screams when a tarantula crawls up the wall

And now a gaze of a snake reminds me of me.

Thursday, January 28, 2010

Reader’s Record: Poets Companion: “Voice and Style” 1-28-10

pg 115. “When we listen to a person speaking, we hear a particular music unlike any other. The stamp of someone’s voice is as individual as a fingerprint; if we know someone well, we instantly recognize the tone, pitch, resonance of that voice whenever we encounter it.”

pg 116. “When we fail to produce this voice, the poem fails. The reader laughs when we want her to cry, or turns away disinterestedly when we passionately was his attention. The poem doesn’t communicate what we meant; the voice is garbled, confused, talking to itself”

pg118 “Doing a close analysis of any writer is a useful exercise that can teach you a lot about why you may like or dislike the poems-why they appeal to you, why they move you or make you cringe. Of course, there’s a mysterious element in poetry that seems to resist intellectual analysis, and this is good.”

pg118 “..,there’s an organic and irreducible energy in a good poem that can’t be logically accounted for. Call it the spark, the ‘blood-jet,’ as Sylvia Plath did, or whatever you will; you can take the poem apart and you won’t find it.”

pg 121 “Usually, image and statement combine in a poem (through there are memorable exceptions). Notice what balance is, and see if you need to strengthen one or the other.”

The Sky Rearranges

The Sky Rearranges

by Sean Roper


Seeds

spring wind

little blue bird of grace.

vicious love


tastes like

summer’s heat.

It rains.

It rains.


The storm change,

eyes of blue bird rearrange.

sky a payne’s grey.

grey with rage


Vertigo


Blue bird fall

fall from grace.

Fall with heaven’s hate

rearrange


rearrange

Monday, January 25, 2010

The Memory of a Place with no Windows and the Ceiling Walked.

The Memory of a Place with no Windows and the Ceiling Walked.
by Sean roper

This house is a home.

we lived under the house where the ceiling walked and stomped

in a town of drugs hidden in teapots with boarded windows and lace fences.

This house is, in spite of everything, my home.

There is one bedroom with a blanket for the door,

my parents sleep here with no closet but

Piles of our folded clothes on the floor.

A living room with one couch and one exit door,

a hallway, no that’s just the kitchen perverted

with the fridge that blocks my way.

my sister had the couch,

nearby I slept on a pallet on the floor.

no windows, no cable and the water liked to run cold

I was known to be dumb at school,

I didn’t know the jokes that I “Should”

from TV shows. My house, a prison

because of the drugs that danced in the streets.

So the school playground I laughed and I ran

Till my shoes were over worn and my pants tore.

This house is a home.